Among this year's crop of true indie success stories -- this summer's Another Earth and Attack the Block among them -- is Bellflower, a film described as "a love story with apocalyptic stakes." Sweet and inventive -- then brutal and utterly devastating -- the debut feature from writer-director-star Evan Glodell was borne of over three years of sacrifice and dedication, DIY in spirit and in practice (as Glodell's homemade flamethrowers, groundbreaking camera rigs, and the tricked out car dubbed Medusa attest). So how did this $17,000 micro-budgeted labor of love (and pain) wind up with a distribution deal and some of the buzziest word-of-mouth of the season?
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First time writer-director Evan Glodell spent years obsessing over his feature debut Bellflower, a raw tale of love, betrayal, and apocalyptic-level emotional tumult set among a group of near-nihilistic twenty-somethings in Southern California. (Part of that obsession? Custom-building the badass, fire-breathing Mother Medusa muscle car, which figures into the film.) After the jump, see a new exclusive image from Bellflower and find out how you can see it in Los Angeles before it opens on Aug. 5.
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Evan Glodell's nihilist love story/vengeance tale Bellflower is a dangerous piece of must-see American indie filmmaking for Mad Max fans and, in a way, the same crowd who can't wait to see Quentin Dupieux's killer tire flick Rubber. After premiering at Sundance, where Oscilliscope snapped it up for a summer 2011 release, Bellflower blazed a diesel-fueled trail through SXSW treating attendees to a glimpse of the heavily modified Buick Skylark that Glodell transformed into the flame-throwing beast known as the Mother Medusa.
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As a bunch of brassy strippers once taught us, you've gotta have a gimmick if you want to get ahead. The same goes for dancers as it does for indie films, three of which demonstrated that time-tested lesson Monday night at SXSW. Which brings us to our Movieline Pro Tips of the Day: Bringing fun/hands-on props to delight the crowd after your movie screens can help the goodwill linger. Loudly heckling your own movie for kicks while a dozen or so journalist types sit near you, aghast and annoyed? Not so much.
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