![Aaron Sorkin Gets Jobs Job, Morgan Freeman Rustles Feathers, Grassroots Grows at Goldwyn: Biz Break](http://movieline.com/wp-content/uploads/2011/12/aaron_sorkin_emmy_getty300.jpg?w=120&h=120&crop=1)
Also in this morning's edition of Biz Break: Sony Classics reunites with an Oscar-winner, Music Box takes a risk with a Hemingway, John Woo gets in on a remake, and more...
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Danish filmmaker Susanne Bier's In a Better World raises a number of intriguing questions about the true meaning of masculinity, about how kids view their parents, about the necessity of knowing when it's not a good thing to turn the other cheek. But too many of these ideas simply hang in the air, like fruit that can't decide whether it's ripe or not. In a Better World won the Academy Award for Best Foreign Language Picture, and at the very least, it's a tight piece of craftsmanship. But it's at once too polished and vaguely unfinished, and its final act of forgiveness demands a huge leap on the part of the audience. The movie isn't just looking toward a better world; it has way too much faith in an unrealistically perfect one.
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