Susan Sarandon is a woman at her wit’s end in Jay and Mark Duplass’ comedy Jeff, Who Lives at Home; stuck in mind-numbing office job and still dealing with the problems of her two grown but immature sons – Jeff (Jason Segal), an unemployed pothead, and Pat (Ed Helms), a douchey sales rep – her Sharon spends her days daydreaming about the life she once wanted for herself. As Sarandon confessed in a chat with Movieline, there was plenty in Jeff she related to as a single working mother in an often unforgiving industry – but, as she’s discovered, there’s always “a new dawn, a new day.”
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You have to admire the chutzpah, if not necessarily the filmmaking skills, of Jay and Mark Duplass, the duo behind the stay-at-home-son comedy-drama Jeff, Who Lives at Home. With their 2005 debut, The Puffy Chair, the Duplass brothers took an uninteresting story fleshed out with lackadaisical dialogue and, using barely rudimentary camera skills, fashioned a noodly tale about love, life and relationships. It’s easier, maybe, to admire the Duplasses' boldness more than the actual product, but you have to say this much for them: They sure do keep moving.
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Here is a trailer for Jeff Who Lives at Home, which tells the very unusual story of sibling men-children (Jason Segel and Ed Helms) dealing with crises of various import. Epiphanies are had, edgy humor is achieved, Porsches are wrecked. Susan Sarandon cries and enjoys the cathartic eruption of office fire sprinklers. Some kids sing cheerily over the closing credits. It opens March 16. What did I miss?
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For Mark and Jay Duplass, the sibling team behind The Puffy Chair, Baghead, and last year's Cyrus, success came only after years of frustration -- and only by happy accident. "All we were doing in the late '90s, in our twenties, was trying to be the Coen brothers," Jay Duplass laughed to Movieline, "and failing at that, because the Coen brothers are awesome and they're already the Coen brothers." It was only when the brothers Duplass stopped trying so hard, at the end of their creative rope and after years of fruitless attempts, that they found the formula for personal filmmaking that would become their signature.
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