Postcard from Venice: Andrea Arnold Gives Us the First Black Heathcliff in Wuthering Heights

Two hours after seeing Andrea Arnold's Wuthering Heights, screening here in competition, I'm still fighting my way across this rugged moor of a movie, a vast, wild place where Arnold's vision and Emily Brontë's meet eye to eye and claw to claw. Arnold's reading of Bronte's weird, unabashedly sick novel is daring for sure: This is a film filled with interesting choices that, in the end, may not be all that interesting -- it's more self-conscious than Arnold's other films, Red Road and Fish Tank, perhaps partly because, unlike those movies, it's based on familiar source material.

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