Olivia Munn first became known for keeping geeks everywhere enthralled on a daily basis as the co-host of G4's Attack of the Show, but since leaving the program to pursue acting she's hit the ground running by joining The Daily Show, starring in the short-lived sitcom Perfect Couples, and snagging roles in upcoming projects from the likes of Aaron Sorkin and Steven Soderbergh. Speaking with Munn over the weekend about her latest film, I Don't Know How She Does It, Movieline was determined not to ask the pun-tastic question of how, in fact, she does it. What we discovered instead was the story of how, in the course of following her Hollywood dreams, she tried to do it all.
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In this installment of Weekend Forecast, three new and (mostly) intriguing offerings vie at the box office: the Ryan Gosling showcase Drive, Sarah Jessica Parker's I Don't Know How She Does It, and Rod Lurie's remake of Sam Peckinpah's Straw Dogs. But will any of them be a match for the proven global box-office dazzle of Disney's The Lion King 3D?
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I don't know how Sarah Jessica Parker does it, but a lot of her movies are staggering shit fortresses. Failure to Launch? Did You Hear About the Morgans? This weekend's I Don't Know How She Does It? The Family Stone? That movie made me feel like Diane Keaton's cancer, and it's still a Mensa candidate compared to today's Bad Movie We Love: the epic, Tropical Skittle-colored trek to Abu Dhabi, Sex and the City 2. It's so famously bad that its bad reviews are famous. It's the movie that asks the question, "How can we save a franchise that has devolved into materialistic fetishism?" and answers it with, "JEWELS." Cheers, girls!
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In this week's new chick flick I Don't Know How She Does It, Sarah Jessica Parker -- she who had sex in the city, a bastion of modern female fabulosity and our generation's go-to, couture-sheathed screen heroine in heels -- attempts to solve the plight of the 21st century woman once more as Kate Reddy, a wife, mother of two, and financial analyst for a high-powered investment firm trying desperately to juggle "it all." How many times do co-workers and colleagues ask her how she "does it?" A lot. That's how much she's doing. But it's not the first time SJP's put her plucky feminine know-how to use in the movies to solve the routine problems of the modern woman.
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