Why You Should Care About the Imminent Death of Film

"By 2013, film will slip to niche status, shown in only a third of theaters. By 2015, used in a paltry 17 percent of global cinemas, venerable old 35 mm film will be mostly gone." The epic life and death struggle between film and digital rolls on, and in LA Weekly's cover story must-read Gendy Alimurung details the sobering -- and imminent -- sea change in film production and exhibition with insights from figures at every stop on the cinematic food chain: Filmmakers, arthouse/rep theaters, film curators, projectionists, preservationists, and even the cold, lonely (and increasingly studio-blocked) vaults that house the dwindling ranks of cinema's remaining 35mm prints.
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Talkback: Who's Willing to Fight for 35mm?

Few Tweeting, iPod-owning, Netflix-streaming, eternally online citizens of the 21st century would lament the advances and conveniences that digital gadgets and technologies afford, but what if you still love that which is made increasingly obsolete? In the film world, that widening gap stands between classic celluloid and digital projection; as studios like 20th Century Fox begin experimenting with digital-only distribution, where does that leave the folks who cherish the magic of watching films on, you know, film?

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