REVIEW: Witty, Good-Looking Mars Needs Moms Plays it a Little Too Safe With Story
True fact: I've never seen an episode of Star Trek, or any of the original franchise's spin-offs onto screens large and small. And yet even I am aware of the episode…
REVIEW: Beastly, Despite Its Heartthrob Stars, Is Hardly Pretty
A teen-idol vehicle with the ultimate aim of leaving the young misses combusting in the aisles, Beastly takes little care with its task, dumping gasoline and gun powder…
REVIEW: Frat House Hijinks Hit a New Low in Brotherhood
Stuff goes wrong in Brotherhood. Shit gets real, bottoms drop out, worse comes to worst and then some. Crowded with incident and untroubled by character, the film is an…
REVIEW: Loose, Goofy Charm Anchors Big Mommas: Like Father, Like Son
One of the potential upsides of a formula-driven franchise is a product finding a level of comfort and confidence in being exactly what it is. Big Macs, Gap T-shirts…
REVIEW: Let's Just Shoot I Am Number Four Back Into Space, OK?
Anyone who has ever been a child or played with one is familiar with the narrative universe of I Am Number Four, a teen alien/superhero/savior/vampire mash-up that's all…
REVIEW: Carancho Delivers Sleek, Stirring Argentine Noir
For the first long stretch of Pablo Trapero's Carancho, the camera swerves and wends behind, around and in front of its subjects, brokering space and mapping their…
REVIEW: Flickers of Comic Life Can't Survive Deeply Crappy Just Go With It
There is something to be said for knowing what to expect, or there can be. Just Go With It, Adam Sandler's latest brand vehicle, opens with a flashback to a Long Island…
REVIEW: Characters Can't Quite Connect Amid the City-Symphony Elegance of Mumbai Diaries
Set amid the stark dualities of the new Bombay, Mumbai Diaries follows four characters whose lives suggest the various ways one can experience what writer Suketu Mehta…
REVIEW: Genre Confusion Makes For Hard-to-Watch Dilemma
The Dilemma, Ron Howard's cheerless, would-be relationship farce, begins with two couples around a dinner table and ends with two men running into each other's arms…
REVIEW: Helen Hunt, Ensemble Deal With Every Day Struggles
Garrett, the crass, crabby showrunner played by Eddie Izzard in Every Day, has a refrain meant to inspire the stable of television writers who script his Gray's…
REVIEW: Gwyneth Paltrow Weighs the Price of Fame in Jumbled But Heartfelt Country Strong
Perhaps only hip hop rivals country music in its obsession with authenticity. The mainstream reckoned with both genres in the 1990s, and in the fallout some purist…
REVIEW: Mike Leigh Grapples with Life's Big -- and Small -- Questions in Another Year
The nod to structure in Another Year, Mike Leigh's latest rumpled, rambling character study, frames it with a gentle irony. A social portraitist known for his regional…
REVIEW: Gulliver's Travels Is Silly, Sweet and Not Too Oversized
Lilliputian light and unconcerned about it, Gulliver's Travels clears enough antic elbow room for its liberal adaptation of Jonathan Swift's classic novel to do its…
Michelle Orange's Top 10 Films of 2010
Asking what films I've seen recently is a good way to wipe my brain clean. Once, in a job interview where it was clear the answer would determine my fate, all I could…
REVIEW: Meet Little Fockers, the Threequel from Hell
I'm not saying the legacy of Meet the Parents deserved the protection of cinematic landmark status. But it does seem like a shame that what was there to protect has been…