REVIEW: [REC] 2 Just Another Visit to the Horror-Franchise Ghetto
[REC] 2 relies almost entirely on its tunnel-vision, single-player style for its scares. It's a strategy that stalls out halfway through, which means it works for twice…
REVIEW: Ask Not What Predators Does For Adrien Brody, Ask What Adrien Brody Does For Predators
Not a sequel and not quite a reboot, Predators sits in that no-man's land of derivation, where a franchise is plundered mainly for its conceptual cachet, and continuity…
REVIEW: Youth Zooms by in Spectacularly Rich Racing Dreams
A lot of hyperbole gets jacked up and spun around in the opening scenes of Racing Dreams, Marshall Curry's wonderful and wonderfully surprising documentary about the…
REVIEW: Winnebago Man Explores Making and Breaking of a Viral Video Superstar
At 76, Jack Rebney speaks in rich, Orson Wellesian tones and has a gift for cursing that even the old master might have admired. Trained as a broadcaster but reduced…
REVIEW: David Lynch, Todd Haynes Tops Among Great Directors
I don't know if Angela Ismailos's Great Directors is a great documentary, but for the most part it's a treat to watch. On second thought, I do know: This not a great or…
REVIEW: Despite Pedigree, Love Ranch Succumbs to Tired, Hookerific Cliches
Playing the madam at the center of Love Ranch, Helen Mirren seems acutely aware of the novelty of a freshly minted grande dame picking up her skirts and heading straight…
REVIEW: Oliver Stone's Suck-Up Safari Dooms South of the Border
An extended belly-bump of a documentary, South of the Border is Oliver Stone's feel-good take on the new South American politics. A vanity project by proxy, Stone…
REVIEW: Perverse Dogtooth Wins With Sickness and Slickness
I know of a 100-year-old woman who still thought of her 69-year-old son as her "boy"; when she died last year he mourned the loss of his status as somebody's child. Such…
REVIEW: Playful Alain Resnais Gets a Bit Lost in His Wild Grass
With the end of middle age within tippy-toe reach, Georges Palet (André Dussollier) has pulled into a kind of defensive crouch; he's not going willingly, and open to…
REVIEW: Tilda Swinton Dazzles in Virtuosic I Am Love
A clamorous Italian counterpart to Summer Hours, last year's lyrical meditation on French tradition in decline, I Am Love also examines fading nationalist notions of…
REVIEW: Fascinating, Frustrating Cyrus Loses Its Nerve
The Duplass brothers (co-writers and -directors Jay and Mark) are devout practitioners of something I'll call moment-based filmmaking. Graduates of both the Mumblecore…
REVIEW: Emotions Get the Better of 8: The Mormon Proposition
Scheduled to be released on the second anniversary of California's legislation of gay marriage, 8: The Mormon Proposition marks the occasion with a furious requiem…
REVIEW: Clichés Fly Like Bullets in Gangster's Paradise: Jerusalema
A gangster epic with a geopolitical twist, Gangster's Paradise: Jerusalema prefaces its portrait of a young man's rise in the criminal underworld with the assurance that…
REVIEW: Jackie Chan, Karate Kid Offer Hit-Or-Miss Summer Treat
For those weaned on the original, watching The Karate Kid's franchise reboot is a little like running into your old crush at a middle-school reunion: Warmly familiar and…
REVIEW: Coco Chanel and Igor Stravinsky Caught in More Than a Bad Romance
Igor Stravinsky wrote that he left the Paris theater where the 1913 premiere of his revolutionary work, "The Rite of Spring," was inciting a bourgeoisie riot before it…