REVIEW: 'Antiviral' ' Brandon Cronenberg's Piercing (And Icky) Look At Celebrity Obsession
Possibly setting a record for most images of needles piercing human skin in a motion picture, Brandon Cronenberg's syringe-tastic…
REVIEW: Visually Stunning 'Oblivion' Looks Like A Live-Action 'Wall-E'
Although Universal's publicity department has asked that journalists refrain from spilling the secrets of Oblivion, the major…
REVIEW: 'Upstream Color' Is Thoreau-ly Avant Garde ' And Hypnotic
As mystifying as his 2004 sci-fier, Primer, albeit for entirely different reasons, Shane Carruth's Upstream Color is a…
REVIEW: Meatheaded 'G.I. Joe: Retaliation' Should Be Titled 'Regurgitation'
Offering a more straight-faced brand of idiocy than its cheerfully dumb 2009 predecessor, G.I. Joe: Retaliation might well have…
REVIEW: 'Mad Women'? Elisabeth Moss Bares Teeth & Body In Jane Campion's 'Top Of The Lake'
The disappearance of a pregnant preteen exposes the raw wounds at the heart of an isolated southern New Zealand community in the…
REVIEW: Pay No Attention To That Prequel Behind The Curtain! 'Oz' Is Neither Great Nor Powerful
Consciously evoking the structure and iconography of MGM's classic The Wizard of Oz without attempting to rival its impact…
REVIEW: Rooney Mara Will Hold You Shrink-Rapt In Steven Soderbergh's 'Side Effects'
What begins as a barbed satire of our pill-popping, self-medicating society morphs into something intriguingly different in Side…
REVIEW: Hathaway's A Dream But 'Les Misérables' Doesn't Sing
As a faithful rendering of a justly beloved musical, Les Misérables will more than satisfy the show's legions of fans. Even so…
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