9 Milestones in the Evolution of Robin Williams

Mrs. Doubtfire (1993)

It seems odd these days when an established movie star doesn't start producing his/her own pictures to siphon off as much profit as possible. Even though Williams has grossed nearly $3 billion at the box office over the course of his 30+ year career, the actor has only produced two of his feature products --- the first of which was Mrs. Doubtfire. As a divorced dad who dons full drag just to spend more time with his three estranged children, Williams again impressed critics and helped make Mrs. Doubtfire his most lucrative project yet (when ticket prices are adjusted for inflation). Although a Mrs. Doubtfire sequel was originally planned -- in which the titular character moves closer to her daughter's college to keep an eye on her -- it never got off the ground because Williams was reportedly unhappy with all scripts.

Good Will Hunting (1997)

Williams followed Mrs. Doubtfire with a few critical flops (Nine Months, Jumanji, Jack and Flubber), a brilliant comedic turn playing a flamboyant club owner (The Birdcage) and a Woody Allen project (Deconstructing Harry) before reaching the pinnacle of his career thus far -- his role as a widower therapist who helps a South Boston genius janitor (Matt Damon) open up emotionally. The role marked Williams's dramatic rebound as an actor and is largely considered his finest work onscreen. For his role, Williams won his first (and only, so far) Academy Award.

One Hour Photo/Death to Smoochy/Insomnia (2002)

Five years later -- after playing a doctor who uses clown noses to cheer up patients (Patch Adams), a 1940s Jewish shop keeper (Jakob the Liar) and a robot with emotions (Bicentennial Man) to varying degrees of success -- Williams made a casting U-turn and took three back-to-back roles as big screen baddies. The first time Williams plays an antagonist was in the creepy One Hour Photo as a lonely photo lab operator who preys upon one family whose pictures he develops. In Danny Devito's box office bomb Death to Smoochy, Williams plays a corrupt children's television host and in Insomnia, the actor embodies a corrupt crime writer. Of the three films, One Hour Photo and Insomnia fared well with critics.

Old Dogs (2009)

Every Academy Award winner has a WTF moment in his/her career and signs onto a project that promises to produce nothing but shudders and dry heaves from the get-go. For Williams, this project was Old Dogs, which rests comfortably at 5 percent on the Rotten Tomatoes meter. In Old Dogs, Williams plays one of the titular old dogs who discovers he has twins, kicks children in the face with soccer balls and hits golf balls into the crotches of business peers. (It's called comedy, guys.) The film received scathing reviews which called it "stupifyingly dimwitted and singularly dreadful."

Happy Feet Two (2011)

Williams returned to voice acting in 2006 for the first Happy Feet film. Thanks in part to the strength of Williams's characters Ramon and Lovelace, the penguin feature won an Academy Award for Best Animated Feature, grossed nearly $200 million domestically and spawned this weekend's sequel, in which Williams reprises both of his roles. Up next, Williams returns to comedy for 2012's The Wedding alongside fellow Oscar winners Robert De Niro, Diane Keaton and Susan Sarandon. After that though, Williams's IMDB page is blank. Hopefully the comedian and Oscar-winning actor will fill his future with more dramatic roles, quality comedic turns and milestones to extend his onscreen evolution.

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Comments

  • bluegnu63 says:

    Is it just me, or was there no reference to "The Fisher King"? Another excellent Williams performance.

  • Glen Warner says:

    I believe Robin Williams was born in Birmingham, Michigan, not Chicago, as this article suggests

  • The Anal-Retentive Wonder says:

    Since everyone else is piling on, I may as well point out that Robin Williams did voice-over work for "Robots," which opened a year before "Happy Feet." Also, according to Wikipedia, "Happy Feet" grossed over $384 worldwide -- considerably more than "nearly $200 million," wouldn't you say?

  • The Anal-Retentive Wonder says:

    I meant $384 million. Boy, is my anal-rententive face read. Irony, thou art a cruel mistress.

  • Julie Miller says:

    He was born in Chicago and raised in Michigan. Thanks for reading!

  • Julie Miller says:

    It is referenced. Unfortunately when you just have 9 milestones for an actor as accomplished as Robin Williams, you can't make every great performance a milestone.

  • Julie Miller says:

    Hi! Nearly $200 million domestically. Thanks for the 'Robots' note. The correction has been made.

  • j'accuse! says:

    Julie...your picture there makes me wonder what our world would have been like if Lone Star had been given a chance to find an audience.

  • Julie Miller says:

    I can't let go. I just can't.

  • Jay says:

    "It seems odd these days when an established movie star doesn’t start producing his/her own pictures to siphon off as much profit as possible"
    Whatever their reason is to produce a film and whatever the end result may be, I find it more respectable for an actor to get involved financially than the usual "take the money and run" policy of some big screen gazillionaires who then consent to do a smaller film just to get away with it. The godawful amount of money spent by the studios that's not invested back into the means of production is probably one of Hollywood's most salient issues.
    Otherwise, very good article. Living overseas and being born after its initial run, I had never heard about Fonzie from Happy Days being abducted by an alien Robin Williams. That beats jumping over a shark if you ask me.

  • Isaac says:

    Can I simply say what a reduction to search out someone who actually is aware of what they