Oscar Index: The Pitt and the Pendulum
The Leading 5:
1. Octavia Spencer, The Help
2. Vanessa Redgrave, Coriolanus
3. Shailene Woodley, The Descendants
4. Bérénice Bejo, The Artist
5. Jessica Chastain, The Help
Outsiders: Melissa McCarthy, Bridesmaids; Jessica Chastain, Take Shelter; Keira Knightley, A Dangerous Method; Judi Dench, J. Edgar; Mia Wasikowska, Albert Nobbs; Emily Watson, War Horse; Janet McTeer, Albert Nobbs; Sandra Bullock, Extremely Loud and Incredibly Close
Now we're talking! After a week that looked about as well-stocked as a pumpkin patch on Nov. 1, experts are lobbing in everyone from Dench to Watson to Bejo to run with Spencer and Redgrave. Huzzah! It's still probably the latter pair's race to lose, but watch for Bejo in particular to creep in closer to The Artist's release. Also, check out what producer Lynda Obst -- an influential Hollywood woman who always evinced smart, solid awards-season taste in her annual exchanges with New York film critic David Edelstein -- had to say this week about the "Bridesmaids bump." If the ladies in the Academy's actors' branch relate, it could mean very good things for McCarthy:
It came at a moment when any movies for women, women's comedies -- forget dramas, there are no dramas for anybody -- but women's comedies, women's thrillers were going to get put by the wayside forever. Women's projects were dying everywhere. That's why the opening of Bridesmaids was so critical for every woman in features, why its success was attended with such profound interest by every woman writer, producer and director in town. [...]
There are suddenly projects for women! I'm pitching one right now that is a female-based comedy and people are really responsive to it. And then my directing debut, which was dead in the water at New Line, went from having no momentum to having momentum, the weekend right after Bridesmaids opened. Bridesmaids meant that the idea of being able to make a movie about women was resuscitated.
Get to work, Universal! In this field, you could still have a phenomenon on your hands come February.
The Leading 5:
1. Christopher Plummer, Beginners
2. Albert Brooks, Drive
3. Kenneth Branagh, My Week With Marilyn
4. Nick Nolte, Warrior
5. Jonah Hill, Moneyball
Outsiders: Jim Broadbent, The Iron Lady; John C. Reilly, Carnage; Philip Seymour Hoffman, Moneyball; Armie Hammer, J. Edgar; Viggo Mortensen, A Dangerous Method
Meanwhile, Hill got the Moneyball bump in this category. Like it matters.
[Thanks to Jillian Murray for the French translation -- Ed.]
Comments
Ha! I remain victorious in my quest to make the first comment! (and by the, I've brought the alcoholic beverages this time)
When you say the Artist needs to make money, exactly how much are you talking? I can't imagine middle America exactly showing up in droves for this one. I can't really imagine upper-middle America going either.
The only other thought I have is "My that Shailene Woodley lady has a lot of hair"
I've decided to single handedly create Oscar buzz for DRIVE, so every time I drop a comment, DRIVE will be mentioned! So THERE Academy voters! I know you're reading this!
Thank you, Kendra. Your fervor is appreciated. But: The comment about Artist grosses was not mine but David Poland's. I can't speak for him. I don't even have a guess myself! What is the over/under on silent French films in 2011? You tell me.
Great call on Drive from the previous poster.
Surely there's room for a good genre flick that has an insane amount of audience popularity (it's IMDB user score is 8.6 if that's anything to go by). It may take Dragon Tattoo or Tinker Tailor to drop for Drive to be considered though. I think those two are sort of taking up the genre film slots.
The Help takes up The Blind Side spot. Surely Drive can replace The Help, no way is The Help a complete movie. It's popular in middle america, so what - Drive is way better.
/rant.
Also - they should change the Best Director category to the sliding scale too. It just just match Best Picture. Best Director tells you who the leaders are anyway, and it's always a tight race. Nolan missed out last season, and there's another group of directors that will miss out this season too.
Just saw "Melancholia", and Kirsten Dunst's performance is a knockout. It will be a crime if she's overlooked.
Also, I'd love to see Benedict Cumberbatch nominated for "Tinker, Tailor...". He was the best of the supporting actors in that movie, which considering the company he was in is saying quite a lot.