9 TV Shows Masquerading In the Wrong Genres


MyDadSays175.jpg4. The City

Alleged Genre: Reality

Actual Genre: (Scripted) Soap...for ESL students looking to learn English at a very slow pace...with subtitles

Just like it's similarly staged predecessor The Hills, The City mixes outrageously scripted storylines, carefully staged scenes and after school drama. Combine those three formulas with faux fashion jobs and high pressure photo shoots and voila!, you have The City. If there is one reality element in The City, it is brought by Kelly Cutrone.


MyDadSays175.jpg5. NCIS

Alleged Genre: Police procedural

Actual Genre: Comedy

If there was an Emmy category for Best Comedic Actor in a Drama, NCIS lead Michael Weatherly would win back-to-back. What elevates this procedural above other fill-in-the-crime formula series is Weatherly's comedic timing which somehow makes sexual harassment seminars which include the phrase "elevator eyes," workplace masturbation jokes and gags about female body hair humorous.


MyDadSays175.jpg6. The Real Housewives of Beverly Hills

Alleged Genre: Reality

Actual Genre: Supernatural

Screw The CW's demons and paranormal. If you want to see supernatural, as in "exists outside of natural law," turn on Bravo on Thursday nights. There, you will find the kinds of toned bodies, taut faces and surgically upturned eyes that the supernaturally wealthy can afford as well as the kinds of names and phony transatlantic accents that only accompany the heroines of paperback fantasy novels and '70s daytime soaps. Right, Pandora VanderPump?

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Comments

  • NP says:

    "Whatever the opposite of comedy is."
    Tragedy.

  • Sarah says:

    Since I can't get to YouTube from work and I don't watch "Hoarders" regularly, I did not know about the cat corpse story. I didn't think anything in this article could be worse than that until I read that "Sh*t My Dad Says" was renewed for a second season. Blech and double blech.

  • SunnydaZe says:

    By the 1950s America was ready to embrace a sitcom about one morbidly obese blue collar worker...

  • sosgemini says:

    I was thinking the same thing. And wasn't the first big star of a sitcom show overweight? She ran her own studio. Her name and show escape me at the moment.

  • peliculita says:

    Lucille Ball was not overweight.

  • Lemmiwinks says:

    You forgot one that's even more obvious than Nurse Jackie:
    Breaking Bad
    Alleged genre: Drama
    Actual genre: Comedy

  • Dung Deets says:

    OK that does indeed make a lot of sense dude.
    web-privacy.edu.tc

  • The Winchester says:

    Glee
    Alleged genre: Musical-Comedy
    Actual Genre: Torture Porn.

  • T.K. Mazin says:

    You forgot LOST as well.
    Alleged Genre: Sci-Fi Thriller
    Actual Genre: Soap Opera (with a touch of smoke monster & ghosts)

  • I would have never pegged The View as a Japanese gameshow until now. The only thing missing is someone being unceremoniously dumped into a pool of water every now and again.

  • Nadigra says:

    I totally agree with Nurse Jackie. Whoever thought that treating this show like a comedy is a good idea is seriously screwed up.
    Did you get the Jersey Shore - Antropological Study idea from Bones?

  • Bruno says:

    I would have never pegged The View as a Japanese gameshow until now. The only thing missing is someone being unceremoniously dumped into a pool of water every now and again.

  • tim says:

    i've never laughed during Hoarders---i would classify it under horror.

  • K says:

    Nurse Jackie is funny, but it's very black humor, and it isn't funny often enough to be technically a comedy. Isn't there a genre called "dramedy"? I believe Gilmore Girls was known as a dramedy.

  • MI says:

    Most current non-theatrically filmed comedies (those aren't "tracks", they're real people laughing, silly ill informed detractors) are incorrectly identified as situation comedies. Most of them, such as Modern Family or Always Sunny are more in that Dramady genre.

  • lucas says:

    Lost never claimed to be a sci-fi thriller. From day one the writers said it was a character drama, that has some sci-fi and action bits in it

  • T.K. Mazin says:

    Yes, a character-driven thriller/drama - I remember that's how it was described in one of the early interviews I read, but a lot of shows/movies never come out precisely on screen as they are described by the creators in interviews (some of the time they are misleading unintentionally). Also, there's a difference between a soap opera and a character-driven drama, which I'm sure you already know.
    Fact is, if you take away the sci-fi/thriller mythology elements - LOST becomes nothing more than an Island-set soap opera (a lot of hardcore fans I know admit this and it's not neccassarily a bad thing either). Throughout the first 4 seasons, we these band of plane crash survivors - who are trying to build this little society and trying to learn to live together, learning to love and care for each other whilst awaiting rescue and dealing with their personal issues, meanwhile, there is all this mysterious supernatural/sci-fi danger around them - doesn't that sound like an Island-set soap opera to you (minus the sci-fi/danger elements)?.
    But what made LOST, LOST was the freaky sci-fi/thriller mythology elements, obviously the characters and their inter-relationships were a big part of its appeal and popularity, certainly its initial appeal anyway (and the show and its web of mysteries would have been meangingless without rich characters), but the mysterious mythology elements is what kept LOST as a sustained hit. LOST continued to be a sensation because of the mysteries, everybody wanted to solve them (even my grandmother did lol). Not the soap operatic drama between characters. I doubt the show would have been as globally popular without the mystery thriller elements.
    Don't get me wrong, I'm not trying to criticize LOST by calling it a soap opera, like I said, being a soap opera isn't a bad thing. I'm just saying, at the beginning, the show came across as this equally balanced character-driven soap operatic drama & mysterious extraordinary thriller, then descended into a wierd sci-fi/full-blown soap opera show around Season 3 (some would say earlier) because the writers had no end date, so they kept having to pad stuff out and added needless emo/angst/soap operatic elements for the characters. For example, they went tediously overboard with the love triangle and the Jin & Sun story and dragged them out, too much back and forth with the characters which is a thing soap operas do A LOT. There was other stuff too. Just to be clear, Season 3 was for me when it got full-blown soap opera.
    That was just my observation from watching the show. To each their own I guess. My sister loved the fact that it got more soap opera-y as it progressed. I didn't mind it to be honest, but I think it applies to this article.

  • T.K. Mazin says:

    Whoops, left this part out.
    The basic point I was trying to make was that the sci-fi thriller/mythology elements was window dressing for the fact it was a soap opera from the description I gave you about the show from the first 4 seasons (in the 2nd paragraph). Even though those elements became the trademark of the show for fans, it didn't try to hide the fact that it was a soap opera at heart about these characters and their issues. But for me, it got too soap operatic as it progressed. That's my point.

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