Cowboys and Aliens Writers Alex Kurtzman and Roberto Orci on How to Write for Harrison Ford

kurztmanorci-cowboys-main.jpgLast time Movieline spoke to Alex Kurtzman and Roberto Orci, the highly-paid screenwriters claimed their Hollywood heat could be all over soon. Clearly, that hasn't happened: After scripting some of the biggest tentpoles of the last few years, they've got the Jon Favreau-directed Cowboys And Aliens coming down the pike, starring Daniel Craig and Harrison Ford. What was it like to work with Indiana Jones? This past weekend at Comic-Con, I asked them to tell me all about it.

"You know, it's funny for us: to just sit in the room with the guy would have been the greatest privilege on earth," said Kurtzman. "To actually go through the script and talk about scenes and get inside his head and figure out how everyone would work together, I mean, that was a joy for us."

"We hadn't written it for him because we'd never in a million years imagined that we could get him," Orci said. "When he actually showed interest and was there, we wanted to sit down with him and go through it. He's been making movies since we were born."

"It's a little bit like talking to your childhood, is what it is," added Kurtzman. "That doesn't happen very often, so we couldn't have been more thrilled."

Still, Ford has a reputation in some quarters for getting heavily involved in rewrites -- notoriously, he attached himself to Steven Soderbergh's Traffic and required several revisions to his character before leaving the film (Michael Douglas subsequently took on the part). Orci says that aspect of Ford is exaggerated.

"It wasn't that he gave us notes, it was really like rehearsals and sessions," he said. "It's not like he gives you ten notes and says, 'Go away, and find out how to do this!' We sit down and we actually craft the scenes together."

"He has very strong instincts about what he likes and what he feels the character is about, and then you just talk and rehearse stuff," said Kurtzman. "The thing that we love is that sometimes he'll improvise a moment that's so perfect that will end up in the script, and that's a great thing for us."



Comments

  • ZOOEYGLASS1999 says:

    on How to Write for Harrison Ford: Scene 1--- (Imitate a piece of plywood)

  • Dimo says:

    Write your script on hemp paper and give him 5 minutes in his trailer.

  • nando says:

    "Think of a respected movie star and then remove reason and accountability".

  • Conspiracy says:

    Rich and sucessful..sure. But Roberto and Alex know what they write is hackish at best...they write movies for teenaged welfare moms and knuckle draggers. I bet late at night when they are being honest with themselves they thank the public school system that the typical movie go'er has a 10th grade reading and comprehension level. Transformers 1&2, JJ Trek, Xena Princess Warrior...it sure as hell "ain't" Godfather quality is it..Hell...is it even as good as the typical Saturday Morning cartoon? Sure your rich...but you guys are shameless in your pandering to the idiots of the world...you are selling finger puzzles to retards.
    I don't dislike them "personally"...and hope they come around and make art someday...but at this point I wonder if they HAVE an A game...or respect the craft....sure have not shown it yet. See ya on AICN Roberto...

  • DAN D says:

    STUNTMAN ACTOR 8186409019 COWBOY 20 YRS C...A ABOUT TIME

  • casting couch says:

    After Indy IV's script, Ford is used to reading lame dialogue and scenes reheated from other, better, movies.

  • Wandering Menstrual says:

    @Conspiracy,
    Your pretentiousness is only outweighed by your inability to craft a sentence/coherent thought. I'm fascinated by you and your strange grammar and punctuation. It's not often someone so dumb pretends to be so smart.
    And for the record, the average movie "go'er" has a third-grade reading level.