Gleebasing: Schue and Sue Make Sweet Funk
Last night, Schue & the Family Stone taught viewers about funk by moaning about Regionals-related depression, singing about how hard it is to be a pregnant teen, and saying the word "funk" over 50 times. Oh yes, the episode was funky -- and not in a good way. Like most of Glee's installments over the past two months, last night's "Funk" introduced a funk jam of story arcs that won't be continued next week, some heavy-handed after-school lessons, and another one of Schue's embarrassingly white dance moves (let's call it the funky butt rock). So grab your groove thang and let's relive last night's stank rhythms.
It's a shame that the writers followed up last week's entertaining "Theatrical" with this week's "Funk" fiasco, but rest a little easier knowing that last night's episode was intended to air before Glee's Lady Gaga tribute. Now all of that nonsensical TP-ing and parking lot egging makes sense, right? Well, not quite.
The episode started with Jesse "Hamburger" St. James returning to Vocal Adrenaline and joining his former partners for a performance of "Another One Bites the Dust." Afterwards, the demoralized New Directions team spiraled into a funk, and Schue tried to lift their spirits by teaching the kids about regrets. Viewers knew this because Schue told the kids, "Today I want to talk to you about regrets. Who has some?" Then he assigned everyone a funk number.
Quinn recruited a few high school students with fake baby bumps to join her in a classroom funk-ormance of James Brown's "It's a Man's Man's Man's World." Mercedes abruptly related because she is also a minority, and Mercedes and Quinn later vented their minority frustrations in the library ("I only have to feel like this for nine months, you have to feel like this your whole life") before Mercedes invited Quinn to move in with her family.
Meanwhile, Puck and Finn deflated Vocal Adrenaline's tires in some kind of glee club hate crime and had to take jobs with Terri (busy signing divorce papers with Will) to earn enough money to pay for the prank. Schue seduced Sue with a nauseating lap dance to the tune of "Tell Me Something Good" before teaching her a little somethin' about revenge, funk-style.
HIGH NOTES
· "Glee clubbers, for those of you whose hearing has been damaged by massive doses of Accutane, listen up. In a few weeks, glee club will be finished. How do I know that? Well, I recently checked the odds with my Vegas bookie, who told me that you are 40 to 1 underdogs at Regionals."
· Finn and Puck's dream-sequence performance of "Loser"
· "You know, for me, trophies are like herpes. You can try to get rid of them but they just keep coming. You know why? Sue Sylvester has hourly flare-ups of burning, itchy, highly contagious talent."
· Sue's house, which was filled with more trophies than the courtside seats at the Staples Center
· "Hot Cheetos have been proven to raise endorphins, which makes for happy kids, and I can't have that."
LOW NOTES
· Where in God's name is Emma Pillsbury? (OK, so Jayma Mays was probably shooting The Smurfs and didn't have time to learn the tricky choreography to Earth, Wind & Fire's "September," but couldn't she have at least showed up for one scene so that Emma could have talked Will out of seducing Sue Sylvester? That's all I ask. I've given up on Emma and Schue's romance.)
· Usually, Glee never passes up an opportunity for spontaneous song but last night, Schue and Terri curiously signed their divorce papers without breaking into an acoustic rendition of Boogie Funk's "Heartbreak"
GLEESARY
Funkification - (n.) A Carmel High tradition of psyching-out its glee club competition by staging a spontaneous performance of overplayed Queen hits in the competitors' auditorium. As Artie said, "They show us what they've got and we spiral into a deep black funk."
Clinical Depression - (n.) According to the members of glee club, this is a state of sadness that occurs when you realize you won't win Regionals, and it's marked by mistakenly choosing a hip-hop song for your funk assignment and wearing the same outfit twice in one week.
Go All Braveheart - (v.) The act of messing up the faces of the rival glee club after they egged your friend. As in, "We're going to go all Braveheart on Vocal Adrenaline."
POP QUIZ
1. Sue planned to make the New Directions' rehearsal room her official...
a) weight room.
b) protein shake supply closet.
c) trophy annex.
d) torture chamber for overweight Cheerios.
2. In a ridiculously dramatic moment, Schue threw _____ at a wall, shattering it into a million pieces.
a) Sue's oversized trophy
b) his tuning fork
c) a ceramic mug that his ex-wife made him for their two-year anniversary
d) a heart-shaped candy dish
3. Quinn regretted thinking that _____ was a reliable birth control option.
a) 'trust me'
b) pulling out
c) prayer
d) cheerleading
4. Which character uses voiceover to set up one of the episode's story arcs?
a) Finn
b) Quinn
c) Kurt
d) Puck
5. Sue Sylvester asked Kurt to perform a 14-minute long _____ medley for the Cheerios' final competition.
a) Judy Garland
b) James Brown
c) Creedence Clearwater Revival
d) Celine Dion
Answers: 1) c; 2) a; 3) a; 4) d; 5) d

Comments
So Idina Menzel really, really wants to reconnect with long-lost daughter Lea Michele, only she kind of doesn't and she also encourages her glee club to devastate and humiliate her?
Makes total sense!
this abysmal ep was supposed to air before Theatricality so that's why it was confusing
this abysmal ep was supposed to air before Theatricality so that's why it was confusing
this damn show.
*shrug* I actually liked this episode. Glee isn't all about being realistic, it's theatrical. It's a MUSICAL show, and a comedic one at that, not some serious drama.
Appreciate the mention of Funk being meant to play before Gaga, makes a bit more sense.
Other than that, not much respect for your comments Julie.
Even though you can spell funk and count how many times you hear it, you obviously can not understand the definition of this musical style, or have the capacity to feel the type of emotion encapsulated by the genre. I have no desire to try to teach you about funk here, cause your a lost cause, but I will do what you couldn't ... actually review Quinns pregger tune "Mans world". You didn't review it at all, you just commented on the visual. At second look, you dont review this show properly, you base everything on what you see, not hear.
Ok, Quinn (Dianna Agron) tried the best she could, but as she jut cant sing with soul or funk, the producers threw in the eye candy of the trimester-ed groupies, to deflect from the musical flatness. Diane has done ok before this with other songs, be it contemporary or easy show tunes, but to try to give the teen pregnant story some profundity in this way ... just rang hollow. She just does not have the depth of experience to bring up the emotion necessary to meet the demands of this or any James Brown piece. She should stick to Madonna and Gaga. She has Vocal Adrenalins problem, that of being a soul less automaton.
Now Julie, and I quote "and another one of Schue’s embarrassingly white dance moves (let’s call it the funky butt rock)" and "a nauseating lap dance" Thats all you could come up with? Is that all you got for that?
Matthew Morrison has an amazing voice when he pushes it, and he truly understands the power of the tune he sang for funk, and delivered it beautifully. Unlike Quinn, Schue can drive himself into funk, and express it. Believe it or not, he can dance quite well. He carries his body size and height, and is smooth on his feet. No, he's no MJ or the like, and he isn't intending to be, but he does have a physical intensity that is viable, and he uses it.
Now to be honest, I'm a 45 year old white straight guy, so I certainly didnt find myself personally attracted to the 'seduction', but women in the room with me at the time ... were. The song and dance worked for the plot, and he had the presence needed to make the seduction real for Sue and others in the room with me. Note should be made that we are all a group of singers and dancers, and we actually understand voices and showmanship.
Sadly the final tune of the night sucked. Kids too young, trying to do funk, looked like fun, but came off kitschy and cheezy. But the younger generation will be ok with it.
Now Julie ... stop reviewing this show, its not a drama, or a sitcom. You do not have the skills to understand what you are seeing, and should pass it to someone else. I'm not a Glee junky, and I didnt write this cause I was pissed at someone dissing the show, I'm writing to tell you to not write at all, about this show, you just dont get it. Julie, can you even keep a tune in the shower? A singer would feel forced to comment on the quality of what they hear, you dont, so I assume you cant sing. Why are you reviewing a show you cant understand?
And finally,
funk-ormance ... really.
Can I quote you in my report for school?
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