Movieline

Movieline's Interactive Drive Map: Explore Los Angeles With Director Nicolas Winding Refn

Few films in recent memory traverse the urban terrain of Los Angeles as memorably as Nicolas Winding Refn's Drive, the stylish, sublime (and yes, ultra-violent) September 16 "fairytale" starring Ryan Gosling as a soft-spoken stunt man who gets mixed up with vicious gangsters in the city of angels. Using practical locations from downtown to the Valley, Refn paints a portrait of L.A. seldom seen in even the best L.A. stories -- and with nary a glimpse of glitzy Hollywood in sight. Dive into Movieline's interactive Drive map and explore the landscape of Refn's Los Angeles, in the director's own words.

"One of the reasons why I wanted to do the film was because I wanted to live the life of a European filmmaker in Los Angeles, coming to a city that I didn't know, that I only knew from cinema and mythology," Refn recalled to Movieline. "So that was the idea -- to create a movie about traveling into something I didn't know."

Refn rejected the glamorous side of L.A. in favor of a more realistic L.A. -- downtown, Echo Park, Reseda, and beyond. Gosling's quiet stunt driver, known only as Driver, similarly represents the practical side of the Hollywood fantasy machine. "I found the real and practical [Los Angeles] much more beautiful," Refn explained. "I don't like Sunset, that's my least favorite place in L.A.; it's like shooting Times Square in New York, it doesn't do anything for me. I'm much more interested in what L.A. is in reality, and I would always go to things that I thought looked more interesting."

To find locations that fit the film, adapted by Hossein Amini from James Sallis's novel of the same name, Refn, who doesn't have a license himself, drove around Los Angeles with Gosling behind the wheel searching for places that felt right. "I'm very much a fetish filmmaker in the sense that I just shoot what I would like to see," said Refn. "Not always understanding it, but just instinctively knowing that it would be interesting to make it like this. So what would happen is that I had Ryan [Gosling] drive me around a lot at night, showing me where the book would take place. Whenever I felt it was right, the moment between us, that's when I would go back and recreate that emotion. So it was very much like living the character as we were going through the process."

Citing Kenneth Anger's Scorpio Rising as his primary visual influence on Drive (and Pretty Woman as its fairytale-esque predecessor -- "It's a similar story where you take a very dark theme, morbid territory, and you blend it into a Cinderella structure"), Refn placed Drive as the capper to a feature film trilogy begun with his 2008 Tom Hardy starrer Bronson. "It's the end of the trilogy," he explained. "It starts with Bronson, goes into Valhalla Rising, and ends with Drive. It's all about transformation. With Bronson a man transforms in his own fantasy. In Valhalla Rising a man transforms himself through man's evolution. And in Drive, a man transforms himself from human being to hero."

Click map below for more information on each Drive location. (WARNING: Some spoilers follow.)

[Special thanks to Nicolas Winding Refn and Jeffrey Stott.]

To read more on Nicolas Winding Refn's Drive, click here.